Wednesday, March 25, 2009
It is extraordinarily difficult to photograph people in moving cars whilst driving a moving car yourself
This is all leading up to my biggest frustration with Nashville thus far: you have to drive EVERYWHERE. There are pockets of walkable urbanity here and there, but by and large you have to drive to them. One particular detail that upsets me quite a bit was that in my desperate attempt to find decent daytime employment, I had to break my "10 mile each way" rule. I now work 19 miles from where I live, and if I decided that I wanted to spend two hours (each way) on public transport I would still end up four miles short of my office. I could rail against this kind of unsustainable non-sense all day, however I have to get ready for work. I have to beat some traffic.
Lastly, things are looking good with FAFSA and my student loan fiasco is getting straightened out. Soon it is going to be time to figure out where to go in the fall. Unfortunately, I am not officially a Tennessee resident until next November. There are options, but I suppose I can expound on that later as well.
Monday, March 23, 2009
Holy Cow!

Has it been almost four months since my last post? Really? Anyhow, above is a 24x30" acrylic on canvas I did for Untitled Nashville's "Barely Legal" Spring show (click on the pic for the whole thang). I don't have time to go over all of my artistic adventures of the last few months, but I will catch up later. I have a new project which involves taking pictures of people in cars on the highway. If I survive that, then I might have some interesting new paintings soon.
Saturday, December 20, 2008
My First 'Untitled Nashville' Show: A Great Experience
I saw the river playing in the valley
Rushing 'round a bend and skipping stones
I saw the meadow wobble in the moonlight
I've come to get my girl and take her home
Her doorbell plays a bar of Stephen Foster
Her sister never left and look what it cost her
We're gonna live in Nashville and I'll make a career
Out of writing sad songs and getting paid by the tear
Marry me and leave Kentucky
Come to Tennessee
'Cause you're the only ten I see
You're the only ten I see
I've looked through offices and honky-tonks for men man enough to be
Mr. and Mrs. Tennessee
Mr. and Mrs. Tennessee
"
The Silver Jews - Tennessee
I really love this song, and I can't get it out of my head. It has kind of a hopeful twang and bend, and it mirrors the general aura that permeates my own recent move to Nashville, without the love story of sweeping a girl off her feet from Kentucky, of course.

This is a new piece, next in the garage/alley series, as it is appropriately named "Garage #8". It is 24x30, a much larger version of the small earlier pieces, and it continues to explore more of the same themes. This piece was my entry in last night's Untitled Nashville's "Abominable Art Show", and from where I was standing it was a great event. The whole night I had that song replaying over and over again in my head as I perused all of the excellent art from over one hundred artists and navigated the throngs of people milling around the gallery. I feel like I forged some good connections and maybe even made a friend or two. If last night is indicative of the Nashville art scene, then prospects here look very good. I think I'm going to have a good time here.

It was also very reafirming to be surounded by so many other artists. It's been a long time to be at a similar event, so I enjoyed it for everything it was worth. It would also be downright despicable of me not to mention the great people at Untitled Nashville who worked very hard to put on a great event, especially Samantha Callahan. I really like the group, and I am very much looking forward to working with them in the future.
"
Goodby you suckers and steady bad luckers
We're off to the land of club soda unbridled
We're off to the land of hot middle-aged women
Off to the land whose blood runneth orange
"
Tuesday, December 16, 2008
Upcoming Show
COME TO THE ABOMINABLE ARTS SHOW THIS FRIDAY, DECEMBER 19TH!
"The UNTITLED Nashville Artists' Group invites bipeds of all natures to come in from the cold, urban winter to its 2008 Winter Show "Abominable Art Show." This free, one-night-only art event goes wild on Friday, December 19th from 6 to 10 pm at the location of Gallery East at 5 Points in East Nashville ( 1008-C Woodland Street , Nashville , TN 37206 )."
I've got a brand new piece I'll be showing - a larger (24x30) garage painting. It's turned out better than I had hoped, and this should be a great event. I'm excited! If you're in Nashville, please stop by - it's free! Click the link at the top of the post for details.
Sunday, November 30, 2008
Thanksgiving
It was a relaxing week, all things considered, though traveling with the dogs at times proved to be a bit harrowing. I read a lot, six books finished this week alone, and another three that I will most likely finish in the next few days. I was on a Bukowski bender - four total - Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit, Post Office, Factotum, and Notes of a Dirty Old Man, Sarah Vowell's Assassination Vacation, and Raymond Carver's Ultramarine. I think I might switch gears to some lighter stuff.
With Untitled Nashville's "Abominable" show tentatively approaching, I'll be back in the studio this week working on some larger pieces. I will do my best to borrow a camera and post up the finished work when I can. Stay tuned. In the time being, I'll continue my job search and Murray will bask in being back home on the bed.
Tuesday, November 11, 2008
Full moved, fully adrift
Although exciting and filled with possibility, it's also a little sad and disjointing. Part of the stresses of this move is the fact that I sold or gave away nearly all of my possessions and fit the remainder of them in my station wagon. The seasons and weather help reflect this, I suppose, but it's difficult not to become reflective when a familiar place is in your rear view mirror (er, no pun intended). My life changed a great deal in my three and a half years in Quincy, Illinois, and although some of those changes were tinged with heartbreak, I can honestly say that I wouldn't be the artist - or the person - that I am today had I never gone there. I owe Quincy a debt of gratitude, and I'll always be grateful for my time there, even though the town and I aren't really a perfect fit. I always felt like Sully in Nobody's Fool. I can only dream of being even as remotely charming as Paul Newman, though. Heh.
I'm still getting my legs under me here in Music City USA, a town of perplexing paradoxes. So far, though, I like it. It feels like an eastern city, and there is also some relief to the landscape, which I have missed while living in the midwest the last six years. Some of it has a nice grit patina to it, although it is overall a very nice looking and relatively clean city. The country music stigma that so many of my friends have cooed about just isn't really there, or at least I am choosing to successfully ignore it. I think there is a northern insecurity to appreciating country music and it's associated sub-genres, and it's probably more annoying dealing with archaic prejudices than it is with the actual music itself. Downtown, on "Lower Broad", all of the touristy old bars and western shops are alive with people and music, and truth be told it really is a fun place to hang out. Among my many musical tastes, blue grass and old time country and western are favorites of mine, and you hear that music played here in earnest. On the other hand, I live literally a half mile from the "new" Opry and the associated "compound" - site of the defunct "Opryland USA" amusement park, and a smorgasbord of cheesy theme restaurants and tourist traps, campgrounds and wax museums surrounding a large shopping mall, the very posh (if somewhat out of place) Gaylord Hotel, and, of course, the Opry itself. I drove around it yesterday, which should tell you something. You don't walk around and look at this monstrosity, you drive around and ogle at it. You patiently wait at crosswalks for enormous folks from Alberta to Albany waddle out of "family style" restaurants and back to their chartered motorcoaches. It is a queer and confusing place to me, and now that my initial scouting mission is over, I don't think I'll be going back any time soon. Well, maybe for the Thai restaurant/gocart track. That looks pretty awesome.
Back on my side of the Cumberland River, life is a little simpler and a lot less flashy. I live in an area called Inglewood, an old suburb from the 40's and 50's that despite it's lack of good pedestrian aids is still a charming and pleasant place to be. There are tall trees and lots of cute pre-war bungalows that have been well cared for, although I live in a tiny 1950's brick half-Cape. We're part of the larger area - East Nashville - which has been on a comeback for over a decade now. We (and I mean me and my friend Brad, who is graciously letting me and Murray stay with him) are reasonably close to the epicenter of the neighborhood, the Five Points. Five Points is a concentration of funky restaurants, boutiques, bars, coffee shops, galleries, and hipster hangouts, and it reminds me a bit of Westcott in Syracuse or 39th Street/Volker in Kansas City. The hipsters are a little obnoxious, but that's to be expected, and it's usually non-threatening. There seems to be a decent art community here, which is what's really important to me. It doesn't seem to have the breadth of Kansas City's, but I think it's healthy and vibrant in it's own right.
As one would suspect, musicians abound here. Luckily, not everything is 'pop country', and there is a great diversity to what you can find in the numerous honky tonks and dumpy bars, from punk to rockabilly, new wave to pop folk, rock and roll to fusion hip hop, and everything else in between. I've decided on a new project indirectly related to the music scene here, but I'll reveal it once I get past the planning stage. It has something to do with dumpsters. I won't be diving into them, though.
For a city this size, there is a lot to do and see, too. This past weekend I had the opportunity to see John Irving speak at the Ryman (for free!) and a free admission day at the Frist Center for the Visual Arts which is currently showing a very nice Rodin collection of bronzes and a wonderful Eastman House collection (of which I have seen before in Rochester, but is still a treat none-the-less). We haven't even scraped the surface of other neighborhoods in the city, like Germantown or Vanderbilt, among others.
As far as transportation in concerned, you realize pretty quickly that you're in the south. Mass transit is expensive and often times inconvenient. Pedestrian amenities in some areas leave a lot to be desired. Cycling infrastructure, while improving, still has a ways to go. Actually, though, I was surprised to see that some cycling routes and infrastructure have recently been built. I live near a very large park with numerous cycling pathways and even a large suspension bridge expressly for bike and ped traffic that was recently built to cross the river. It seems that the metropolitan government has a reasonable commitment to creating a real transportation cycling system, but it still has a ways to go before it even resembles a system similar to that in Portland or even Chicago.
Well, there is my rambling brain droppings of my first week in my new city. I'm getting a makeshift studio up and running, and hopefully in the near future I can some how get my hands on a camera in order to photograph new work. Stay tuned...
Tuesday, October 28, 2008
Some more old junk...
30x40 Acrylic on Canvas





